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art of vfx

  • newOne Piece Season 2: Eyeline Studios Reveals the VFX Behind Netflix’s Epic Creatures
    The Netflix making-of highlights the visual effects created by Eyeline Studios for One Piece Season 2, with VFX Supervisor Derek Spears detailing the design of the Tyrannosaurus Rex and the massive “Island Eater” goldfish. Eyeline Studios, part o…
    - 3 hours ago25 Mar 26, 4:00pm -
  • newMarvel Television’ Wonder Man: Base FX Brings Simon’s Powers to Life
    For Marvel Television’ Wonder Man, the teams of Base FX developed Simon’s powers from the ground up, overseeing their design, evolution, and final execution across the series. Serving as the sole VFX partner on the series, the studio handled the…
    - 6 hours ago25 Mar 26, 1:00pm -
  • The Bride!: Mark Russell – Production VFX Supervisor
    Last year, Mark Russell broke down the visual effects of The Instigators, giving us a closer look at the film’s creative process. He now returns to talk about his experience on The Bride!. How did you get involved on this film? I was contacted by t…
    - 1 day ago24 Mar 26, 6:45pm -
  • Star Wars: The Mandalorian and Grogu
    This new TV spot for The Mandalorian and Grogu ignites the galaxy once again, teasing an epic new chapter filled with danger, legacy, and unexpected alliances. Voir cette publication sur Instagram Une publication partagée par Star Wars (@starwars) T…
    - 1 day ago24 Mar 26, 4:00pm -
  • Heweliusz: Invisible VFX by ROJO Studio
    In Heweliusz, ROJO Studio supports the retelling of the 1993 ferry tragedy with invisible visual effects that reinforce the realism of the Baltic Sea disaster. The series depicts the capsizing of a Polish ferry during a violent storm near Rügen, pla…
    - 1 day ago24 Mar 26, 1:00pm -
  • Moana
    Disney’s Moana returns in live-action form, with the first trailer revealing a visually ambitious retelling of the iconic story. The adaptation revisits Moana’s journey as she ventures beyond her island alongside Maui to restore prosperity to her…
    - 2 days ago23 Mar 26, 7:00pm -
  • Important Looking Pirates Craft Creatures and Alien Worlds for Predator: Badlands
    In Predator: Badlands, the teams of Important Looking Pirates deliver ambitious visual effects, bringing to life new creatures, the android Thia, the young Predator Dek through detailed facial animation, and the expansive alien planet Genna. Set on a…
    - 2 days ago23 Mar 26, 4:00pm -
  • Under Salt Marsh: How Milk VFX Crafted Invisible Effects
    For Under Salt Marsh, Milk VFX delivered 662 visual effects shots, combining large-scale environment builds, detailed weather simulations and seamless compositing to create a world that feels entirely real and grounded in natural conditions. Milk VFX…
    - 2 days ago23 Mar 26, 1:00pm -
  • One Piece – Season 2
    Here’s a new behind-the-scenes featurette focused on Tony Tony Chopper in One Piece Season 2, with insights from Production VFX Supervisor Victor Scalise alongside members of the cast and creative team. Netflix’s epic high-seas pirate adventure O…
    - 5 days ago20 Mar 26, 9:00pm -
  • Michael
    This new featurette for Michael offers a closer look at the life and legacy of Michael Jackson, tracing his rise from a young prodigy to a global icon. From his first steps into the spotlight with the Jackson Five to his emergence as a global superst…
    - 5 days ago20 Mar 26, 7:00pm -
  • The Night Agent Season 3: Ingenuity Studios Enhances Action and Explosive Moments
    The teams of Ingenuity Studios delivered visual effects for The Night Agent Season 3, focusing primarily on enhancing action sequences with explosions and the creation of a large fire effect. The Netflix political thriller follows a low-level FBI age…
    - 5 days ago20 Mar 26, 4:00pm -
  • Outcome
    The first trailer for Outcome has been released, offering a glimpse into Jonah Hill’s dark comedy starring Keanu Reeves. The film follows Reef Hawk, a famous actor whose life spirals when a mysterious video threatens to destroy his career. After be…
    - 5 days ago20 Mar 26, 1:00pm -

fxguide

  • NVIDIA’s new real-time neural rendering with DLSS 5
    NVIDIA's new neural rendering DLSS 5 isn’t just rendering faster frames - it’s quietly redefining how real-time final pixels are made.
    - 8 days ago17 Mar 26, 3:50pm -
  • fxpodcast: going underground with Hijack
    In our latest fxpodcast, DOP Ed Moore breaks down the massive stage builds, clever virtual production, and the 2,000+ VFX shots that keep the world’s unluckiest commuter racing in another high-stakes season.
    - 8 days ago17 Mar 26, 3:47pm -
  • And the winner is …
    Congrats to the winners at the 98th Oscars, a night celebrating the art and science of modern filmmaking.
    - 10 days ago16 Mar 26, 1:19am -
  • Immersive drama: more than VR — more than film
    Closer to reality than virtual: The Dobos Connection explores how Apple Immersive Video and the Blackmagic URSA Cine Immersive are creating a new cinematic language beyond both film and VR.
    - 14 days ago11 Mar 26, 9:01pm -
  • Fallout Season 2 with VFX Supervisor Jay Worth
    VFX Supervisor Jay Worth discusses the intricate production of Fallout Season 2, highlighting a continued commitment to blending practical puppets with digital enhancements, cutting-edge VFX, and state-of-the-art AI.
    - 15 days ago10 Mar 26, 3:28pm -
  • Nuke 17 with Foundry Creative Director Juan Salazar
    A deep dive into Nuke 17 exploring BigCat machine learning, native Gaussian splats, the new USD-based 3D system, and how evolving workflows are reshaping the role of the modern compositor.
    - 24 days ago1 Mar 26, 4:07pm -
  • Judged by AI: 90 minutes to prove innocence: the VFX of Mercy
    How do you visualize an AI judge, holographic forensics, and city-wide destruction in 90 minutes? We go behind the VFX of Mercy with DNEG.
    - 32 days ago21 Feb 26, 3:18pm -
  • Foundry acquires Griptape – an exclusive fxpodcast interview
    Griptape's Jason Schleifer (Chief Creative Officer) and the Foundry's Christy Anzelmo (Chief Product Officer) discuss the just announced acquisition and what the ongoing shift in the vfx industry means for artists, studios, and pipelines.
    - 34 days ago19 Feb 26, 2:39pm -
  • Sci-Tech Oscars announced
    Congratulations to this year’s Scientific and Technical Awards recipients.
    - 35 days ago18 Feb 26, 9:36pm -
  • Marty Supreme: Eran Dinur on invisible VFX and both sport and period authenticity
    How invisible VFX and obsessive period detail to turned Timothée Chalamet into a table-tennis hero in the Oscar nominated Marty Supreme
    - 43 days ago10 Feb 26, 2:41pm -
  • Oscar nominated Charlie Noble, VFX supervisor on The Lost Bus
    From Unreal previs to real flames: Oscar-nominated The Lost Bus demonstrates that sometimes the hardest VFX work is making reality feel honest.
    - 48 days ago5 Feb 26, 3:42pm -
  • Squid Game: the VFX challenge with Lux Aeterna
    We spoke with Emma Kolasinska (Executive VFX Producer) and Tav Flett (Compositing Supervisor) to discuss how they used invisible VFX to support the unscripted television series without breaking emotional or visual authenticity.
    - 59 days ago25 Jan 26, 6:27pm -

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  • newParental benefits
    Hey y’all this might be a long shot but what the hell. Does anyone know of any studio in Quebec that offers parental benefits ? Like a top up on the provincial parental payment of a certain percent of your salary ? Looking for a new job and, well,…
    - 3 hours ago25 Mar 26, 3:54pm -
  • newWhat should be on a VFX spreadsheet?
    I’m working on my first freelance short film where I’m the only VFX artist, so no one is expecting anything super duper professional. After talking to the editor for a bit, he asked me to make a spreadsheet. I figured he meant for keeping track o…
    - 7 hours ago25 Mar 26, 11:36am -
  • newLonger video here with Neal Scanlan about the Rocky puppet in 'Project Hail Mary'
    Includes lots of b-roll of the on-set puppeteering. submitted by /u/beforesandafters [link] [comments]
    - 8 hours ago25 Mar 26, 10:54am -
  • new柔和流动,却静谧安详 Gentle and flowing, yet serene and peaceful
    submitted by /u/KelejiV [link] [comments]
    - 12 hours ago25 Mar 26, 7:06am -
  • newWhat do you think of Corridor Key?
    I know this sub isn't very fond of the Corridor guys but their Corridor Keyer seems nice. Testing it in AE. Anyone else? https://www.youtube.com/watch?v=3Ploi723hg4 submitted by /u/MX010 [link] [comments]
    - 12 hours ago25 Mar 26, 6:41am -
  • newWas reminded of this from 11 years ago
    https://vimeo.com/107454954 Only available on Vimeo, but dam it still looks pretty good. You can see some of the compositing isnt immaculate, but looks really good. It was released, i think, at end of 2013, so pre-ai. - /wiki/The_Great_Martian_…
    - 20 hours ago24 Mar 26, 10:41pm -
  • new🤔
    Been saying this since day 1. No one will mess with Disney IP. They shut down Sora, and lets see who is next. But using generative Ai for film production won't happen unless they start changing IP laws in America - good luck with that. submi…
    - 21 hours ago24 Mar 26, 10:18pm -
  • newNovelist questions about LED volume shoot
    In my near-future novel, clients purchase 'designer deaths' and are filmed while enjoying a last spectacular hour of life and then dying. Would an LED volume wall accommodate this? ie, the client would be immersed in his/her last activities, there wo…
    - 22 hours ago24 Mar 26, 9:26pm -
  • newNuke AI testing
    submitted by /u/Unique-Hunter3035 [link] [comments]
    - 22 hours ago24 Mar 26, 8:49pm -
  • newSora is officially shutting down
    submitted by /u/BazingaUA [link] [comments]
    - 23 hours ago24 Mar 26, 8:20pm -
  • newViking Axe - Full 3D CGI Short Cinematic
    submitted by /u/elduin3d [link] [comments]
    - 23 hours ago24 Mar 26, 7:52pm -
  • newMonitor suggestion
    Hello folks! I'd like some advice from you. I'm slowly upgrading my working station and the next thing I'll buy is a monitor. I'm used to cheap monitors, but this time I'd like to invest in a good one, something with accurate colors. Do you have sugg…
    - 23 hours ago24 Mar 26, 7:49pm -