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art of vfx

  • Weekend Spotlight – October 24th, 2026
    Every weekend, we highlight a handpicked selection of stories from Art of VFX. Whether you’ve missed an interview, want to revisit a great breakdown, or discover the artists behind today’s biggest productions, Weekend Spotlight is your chance to…
    - 2 days ago24 Oct 26, 3:00pm -
  • The Lord of the Rings: The Rings of Power – Season 3
    After Wednesday’s epic trailer for Season 3 of The Lord of the Rings: The Rings of Power, let’s take a look behind the scenes with the cast and filmmakers in this featurette, offering a glimpse into the making of the upcoming season. Several year…
    - 3 days ago23 Oct 26, 6:00pm -
  • Lanterns: Accenture Song Showcases the VFX Behind the Green Lantern Powers
    Take a closer look at the visual effects created by Accenture Song for DC Studios’ Lanterns, as the studio reveals how its artists brought the extraordinary powers of the Green Lanterns to life through intricate, energy-based constructs. From the i…
    - 3 days ago23 Oct 26, 12:00pm -
  • Dune: Part Three
    The new trailer for Dune: Part Three takes us back to Arrakis, nearly two decades after Paul Atreides seized control of the Imperium. Power, betrayal and rebellion collide in the next chapter of the epic saga. The teaser for Dune: Part Three sets a s…
    - 4 days ago22 Oct 26, 6:00pm -
  • Mayday: James E. Price (Production VFX Supervisor) and Randy Starr (Production VFX Producer)
    Back in 2018, James E. Price shared with us the visual effects challenges of Downsizing. Since then, his credits have included Aquaman and The Tomorrow War. Today, he takes us behind the scenes of Mayday. With nearly 30 years of experience in visual…
    - 4 days ago22 Oct 26, 2:45pm -
  • East of Eden: How Framestore Recreated California with Invisible VFX
    Discover how Framestore recreated turn-of-the-century California for East of Eden, bringing John Steinbeck’s classic novel to life through detailed CG environments and seamless visual effects. Led by VFX Supervisor John Kilshaw, the New York team c…
    - 4 days ago22 Oct 26, 12:00pm -
  • Above the Below
    From the vastness of space to the crushing depths of the ocean, Above the Below unveils its trailer, promising an intense survival story where every breath counts. After surviving a disaster in space, three astronauts face an even greater challenge w…
    - 5 days ago21 Oct 26, 3:00pm -
  • Magic Dust VFX Reveals Its Work on Outlander: Blood of My Blood
    Discover how Magic Dust VFX contributed to Outlander: Blood of My Blood with over 300 visual effects shots, including digital matte paintings and environment extensions. The Magic Dust VFX team worked on a wide range of shots throughout the series, c…
    - 5 days ago21 Oct 26, 12:00pm -
  • The Hunger Games: Sunrise on the Reaping
    The director and cast of The Hunger Games: Sunrise on the Reaping take us behind the scenes of the upcoming film, set 24 years before the original Hunger Games and centered on the 50th Hunger Games, also known as the Second Quarter Quell. The first t…
    - 6 days ago20 Oct 26, 6:00pm -
  • Coyote vs. Acme: Alexander Seaman (VFX Supervisor) and Keith Roberts (Animation Director) – DNEG
    Back in 2022, Alexander Seaman shared insights into DNEG’s visual effects work on The Adam Project. He has since worked on Brahmastra Part One: Shiva, Here, and Dutton Ranch. In 2022, Keith Roberts took us behind the scenes of DNEG’s work on The…
    - 6 days ago20 Oct 26, 2:45pm -
  • Too Many Beasts (L’Espèce Explosive): The Mill Unleashes CG Wildlife
    In Too Many Beasts (L’Espèce Explosive), The Mill contributed 35 VFX shots, creating digital animals and integrating visual effects designed to blend naturally into the film’s imagery. Against the backdrop of a rural conflict involving farmers,…
    - 6 days ago20 Oct 26, 12:00pm -
  • Disclosure Day: Digital Domain Creates Aliens, Epic Action and CG Environments
    The team of Digital Domain delivered 418 final VFX shots for Steven Spielberg’s Disclosure Day, creating spectacular action sequences, fully digital environments, and complex simulations that seamlessly blend with practical footage. For a dramatic…
    - 7 days ago19 Oct 26, 6:00pm -

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  • newhow would y’all balance a 200sq meter water tank and 600 vfx shots on a hurricane film?
    i just finished watching surviving hurricane otis and started reading up on the film, on the practical side, they equipped a 200 square meter at churubusco, boats, fans, gimbals, and a water recycling setup and on the digital side, it packed 60…
    - 2 hours ago26 Oct 26, 5:52am -
  • newCan someone answer a VFX question?
    I'm watching the making of The Mist. There's a few shots where a crew member is holding a puppet on a pole (the puppet was later replaced with CGI and the pole was removed digitally) My question is what happens when the pole passes in front of…
    - 5 hours ago26 Oct 26, 2:32am -
  • newLooking to Pivot into VFX, is this a good desicion?
    Hi everyone! For context I am a 2D animator who is looking to pivot into real time VFX and was wondering what would be a good starting point to learn. I'm looking to purchase at least a month of vfxapprenticeship and I've also seen CGHOW on youtube.…
    - 6 hours ago26 Oct 26, 1:24am -
  • newVFX Artist needed for rotoscoping/compositing (Revshare and/or skill swap)
    Hi there. I’m a writer/director trying to get a microbudget indie horror film finished. Great cast/ performances and the footage shoots well beyond the paltry budget I had for it. The problem is that I was too ambitious and opted for several scenes…
    - 9 hours ago25 Oct 26, 10:43pm -
  • newBorisFX wtf?
    I have a couple of yearly subscriptions from them so I haven't dealt with their purchasing system for a couple of months. Now as all of you know working in our industry right now is no fucking cake walk, the deadlines and budgets are tight. So…
    - 14 hours ago25 Oct 26, 5:34pm -
  • newDigital Paint Supervisor
    submitted by /u/CCIR_601 [link] [comments]
    - 15 hours ago25 Oct 26, 4:42pm -
  • new"Notes from the Underground" - VFX Breakdown - Blender, AE, Resolve (no AI)
    A VFX breakdown from my music video "The River, the Shore". 2+ years in the making, the music video combines real footage with Blender composited in After Effects and Resolve - with many scenes being fully CG! Full music video in the link below…
    - 16 hours ago25 Oct 26, 4:22pm -
  • newAnother entrant into the compositing software space. JOS Compositor
    submitted by /u/CCIR_601 [link] [comments]
    - 16 hours ago25 Oct 26, 3:31pm -
  • newBarad Dur - entrance bridge segment feedback
    Hi guys, 2 weeks ago I posted this segment for feedback here and got some really helpful insights, mostly about the darks and contrast. I've since worked on lots of improvements including - color correction, 2 lightning sequences, lots of more…
    - 18 hours ago25 Oct 26, 2:05pm -
  • newModern Home Defense
    A practice project to work on my Blender and DaVinci Resolve skills. Knock responsibly. submitted by /u/nun_de_plume [link] [comments]
    - 19 hours ago25 Oct 26, 1:09pm -
  • newWhere to find someone to do some basic animation compositing?
    Hi, I have camera footage that I edited into a short film. At end I want to add some animation to be composited into the footage. Nothing crazy - no running, fighting, dancing. There are two characters. I have the models already, and they are set to…
    - 23 hours ago25 Oct 26, 8:53am -
  • The Hulk grows from 9ft to 12ft tall sequence What was the scene like to be animated?
    Here is a shot I found in Cinefex Magazine #94 (July 2003) of the shot where the Hulk grows from 9ft tall to 12ft fall and the screenshot from the Hulk 2003 video game movie short Hulk Movie F/X this shot was a pre viz raw render The top reads…
    - 1 day ago25 Oct 26, 4:25am -