vfxy news | all the latest vfx news in one place

art of vfx

  • newOne Piece Season 2: Refuge VFX Enhances the Series’ Weapons
    For One Piece Season 2, Refuge VFX delivered 240 visual effects shots across the series’ eight episodes, continuing its work from the first season with a focus on weapon extensions and action-driven effects. Sword fights presented a major challenge…
    - 3 hours ago17 Mar 26, 4:00pm -
  • newStar Wars: Maul – Shadow Lord
    The first trailer for Star Wars: Maul – Shadow Lord has arrived, offering a new look at the infamous Sith as he seeks to rebuild his criminal syndicate after the Clone Wars. The series follows Maul in the aftermath of the Clone Wars as he begins pl…
    - 6 hours ago17 Mar 26, 1:00pm -
  • newOne Piece – Season 2
    The world of One Piece continues to grow in Season 2, and this featurette highlights how the production team is bringing the next chapter of the live-action adaptation to life. Netflix’s epic high-seas pirate adventure One Piece returns with a firs…
    - 22 hours ago16 Mar 26, 9:00pm -
  • newCrime 101: Simon Stanley-Clamp – VFX Supervisor – Cinesite
    In 2025, Simon Stanley-Clamp detailed Cinesite’s visual effects work on Warfare. He now returns to discuss his latest project, Crime 101. How early were you involved? From very early on. The contact came through Working Title, and I was given the s…
    - 24 hours ago16 Mar 26, 6:45pm -
  • IT: Welcome to Derry – How Mr. X Created the Demonic Transformations of IT
    In IT: Welcome to Derry, the visual effects team at Mr. X crafted several disturbing forms of IT, including transformations into a moose, a man, and even a baby. These eerie manifestations expand the terrifying presence of the entity and introduce ne…
    - 1 day ago16 Mar 26, 4:00pm -
  • Avatar: Fire and Ash Wins the Oscar for Best Visual Effects at the 98th Oscars®
    Avatar: Fire and Ash has won the Academy Award for Best Visual Effects at the 98th Oscars®, recognizing the extraordinary artistry behind the film’s groundbreaking visuals, created by the teams at Weta FX. The film once again pushes the boundaries…
    - 1 day ago16 Mar 26, 1:00pm -
  • Disclosure Day
    The first trailer for Steven Spielberg’s highly anticipated film Disclosure Day has arrived, teasing a story centered on humanity’s discovery that we may not be alone in the universe. The trailer sets an unsettling tone, asking what would happen…
    - 4 days ago13 Mar 26, 9:00pm -
  • Thrash
    The first trailer for Thrash has been unveiled, offering a first look at the high-stakes survival thriller. The film blends large-scale hurricane destruction with a terrifying predator lurking beneath the floodwaters. When a Category 5 hurricane deva…
    - 4 days ago13 Mar 26, 7:00pm -
  • Inside the Visual Effects Work of Zero VFX on Eenie Meanie
    The teams of Zero VFX delivered a range of visual effects for the film Eenie Meanie, including a CG car used in a casino escape sequence, as well as striking moments featuring a red fish and burning hair. The studio supported several action beats in…
    - 4 days ago13 Mar 26, 4:00pm -
  • Vine FX Reveals Invisible Visual Effects for After the Flood Season 2
    The Cambridge-based studio Vine FX delivers a range of invisible visual effects for the ITV series After the Flood Season 2, supporting the drama with large-scale fires, CG environments, and seamless set extensions. Sophie Rundle returns in the secon…
    - 4 days ago13 Mar 26, 1:00pm -
  • They Will Kill You
    This TV spot for They Will Kill You sets the tone for a blood-soaked night of survival. Trapped inside a mysterious cult compound known as the Virgil, a young woman must face deadly traps and ruthless followers determined to make her their next offer…
    - 5 days ago12 Mar 26, 9:00pm -
  • Agatha Christie’s Seven Dials: Sean Stranks – VFX Supervisor – DNEG
    Sean Stranks brings more than 26 years of experience in visual effects. Over the course of his career, he has contributed to a wide range of projects, including Cloverfield, In the Heart of the Sea, Raised by Wolves, and The Hunger Games: The Ballad…
    - 5 days ago12 Mar 26, 6:45pm -

fxguide

  • newNVIDIA’s new real-time neural rendering with DLSS 5
    NVIDIA's new neural rendering DLSS 5 isn’t just rendering faster frames - it’s quietly redefining how real-time final pixels are made.
    - 3 hours ago17 Mar 26, 3:50pm -
  • newGoing underground: Hijack
    Inside Hijack. DOP Ed Moore breaks down the massive stage builds, clever virtual production, and the 2,000+ VFX shots that keep the world’s unluckiest commuter racing in another high-stakes season.
    - 3 hours ago17 Mar 26, 3:47pm -
  • And the winner is …
    Congrats to the winners at the 98th Oscars, a night celebrating the art and science of modern filmmaking.
    - 2 days ago16 Mar 26, 1:19am -
  • Immersive drama: more than VR — more than film
    Closer to reality than virtual: The Dobos Connection explores how Apple Immersive Video and the Blackmagic URSA Cine Immersive are creating a new cinematic language beyond both film and VR.
    - 6 days ago11 Mar 26, 9:01pm -
  • Fallout Season 2 with VFX Supervisor Jay Worth
    VFX Supervisor Jay Worth discusses the intricate production of Fallout Season 2, highlighting a continued commitment to blending practical puppets with digital enhancements, cutting-edge VFX, and state-of-the-art AI.
    - 7 days ago10 Mar 26, 3:28pm -
  • Nuke 17 with Foundry Creative Director Juan Salazar
    A deep dive into Nuke 17 exploring BigCat machine learning, native Gaussian splats, the new USD-based 3D system, and how evolving workflows are reshaping the role of the modern compositor.
    - 16 days ago1 Mar 26, 4:07pm -
  • Judged by AI: 90 minutes to prove innocence: the VFX of Mercy
    How do you visualize an AI judge, holographic forensics, and city-wide destruction in 90 minutes? We go behind the VFX of Mercy with DNEG.
    - 24 days ago21 Feb 26, 3:18pm -
  • Foundry acquires Griptape – an exclusive fxpodcast interview
    Griptape's Jason Schleifer (Chief Creative Officer) and the Foundry's Christy Anzelmo (Chief Product Officer) discuss the just announced acquisition and what the ongoing shift in the vfx industry means for artists, studios, and pipelines.
    - 26 days ago19 Feb 26, 2:39pm -
  • Sci-Tech Oscars announced
    Congratulations to this year’s Scientific and Technical Awards recipients.
    - 27 days ago18 Feb 26, 9:36pm -
  • Marty Supreme: Eran Dinur on invisible VFX and both sport and period authenticity
    How invisible VFX and obsessive period detail to turned Timothée Chalamet into a table-tennis hero in the Oscar nominated Marty Supreme
    - 35 days ago10 Feb 26, 2:41pm -
  • Oscar nominated Charlie Noble, VFX supervisor on The Lost Bus
    From Unreal previs to real flames: Oscar-nominated The Lost Bus demonstrates that sometimes the hardest VFX work is making reality feel honest.
    - 40 days ago5 Feb 26, 3:42pm -
  • Squid Game: the VFX challenge with Lux Aeterna
    We spoke with Emma Kolasinska (Executive VFX Producer) and Tav Flett (Compositing Supervisor) to discuss how they used invisible VFX to support the unscripted television series without breaking emotional or visual authenticity.
    - 51 days ago25 Jan 26, 6:27pm -

befores and afters

vfx world

google visual effects

motionographer

variety / deadline

reddit vfx